I tried something different with this picture and used my new studio set up to paint (see below). First, I was used Canson Montvale watercolor block on a table top easel instead of painting on a flat surface. Second, I finally used fresh paint from the tube, instead of dried paint in a travel set.
The point of the painting was to work fast and rough (still need to get better flicking paint and water onto the paper) and not worry about details. The final result was quite satisfying.
Watercolor on 140lbs watercolor block 9x12
Here is
my new set up, with the watercolor block (it is bound on all four sides
which prevents curling of the paper and the need to tape it down),
table top easel and the porcelain butcher tray. I had to adjust the
lighting but I am quite happy with how my studio is starting to take
shape.
The Set Up
We took a day's hike at Duke Farms, learning about butterflies and moths and flora or all kind, especially native caterpillar food plants. On the walk back to the orientation center I stopped at the little waterfall at Duke's Brook to paint. I have been wanting to find local places to paint, and this 2,700 acre estate and park is right in my backyard. This little waterfall is one of the signature locations in the Farm. Normally, there is water generally cascading down the darker rocks, but now in the mid-Fall there was no water. I think this is a place I need to go back and paint when there is snow on the ground and then again in the Spring.
Watercolor on paper 5.5x8.25
I am starting to become comfortable with new paints and the Pocket Palette (and its smaller size). I love smooth washes and the ability to layer color. What I like most about this travel catch, it is a much different color palette than my other previous works.
Well, this one. . .I am excited about. Using the Daniel Smith paints has certainly been eye opening. I was able to do a light under wash and then layer color on top once the first wash dried (much like I do with pastels). The result is so much closer to what I have been attemping to achieve. The horse was masked using liquid latex and painted with a rigger brush.
I still used the Pocket Palette (ie dried paints) and even though it is fun to use, I will try using fresh out of the tube paint on subsequent paintings now that I just bought a porcelain butcher's tray (ie, palette).
Watercolor on 200lbs paper 10x14
So, I have been accused of painting three legged horses. And well. . .
I really did not have a plan for the sky, or more specifically the pink clouds with their touches of darkness within, they just kind of happened. Not sure how I feel about that. The foreground with touched up with a hint of Unison pastels to bring out the highlights in the grass.
Watercolor on paper 10x7
I do not normally use the back of paper (I am just weird that way) but I have seen so many sketch crawlers do these amazing double page spreads. It has been something I have been considering for awhile. Plus, what drew me to the tree was the fact that it was the only tree in the well manicured valley in the park. As I started to draw it on the single page, it just looked too crowded on the page (defeating the purpose for painting it in the first place), so I kept drawing on the other page. I am quite pleased with the final result.
watercolor on paper 5.5 x 16.50
The Daniel Smith paints continue to be enjoyable. The colors seem brighter than the cotman and the washes are easier to manage.
My kit: Pocket Pallette, niji water brush, 1/2 inch brush, spray bottle
The entrance to the walking path at Natirar County Park, you can see the tree I painted off to the right. It was just a perfect day for sitting outside and painting.
The end of an era. . .the times they are a changin'. . .and sun also sets. . .
Watercolor on 140lbs paper 10x7
Holy Shnikes!! I finally broke down and bought "artist grade" watercolor paints. . .and what a difference they make. I had been unable to create the type of washes I have seen in other paintings since my cotman paints always seemed to dry up too fast (they are not pure pigment and have too many binders). These new paints were amazing.
Sunday I went outside and did a quick painting based on a photo references and I was really impressed with the results. Sorry cotman, I think you have just been retired.
Watercolor on 140lbs paper 9x12
After much research (hey, it is what I do), I decided to buy Daniel Smith paints (M Graham was my second choice). I also bought another travel kit for the new paints. It is called the Pocket Palette and it is about the same size as a business card holder.
Here are the colors once they dried in the pans (pretty cool looking). The Pocket Palette holds 14 colors but I bought 15 (8 came in a set). It is a good set of warms and cools, plus a few mixes like sap green and moonglow because. . .well. . .because I like them.
I probably should have used a bigger brush. However, I wanted to be outside painting rather than in my studio, so I had my cotman travel set and the niji waterbrushes, not the larger flat brushes. The cool shadows below the tree did not turn out the way I intended, but I think the final effect was quite pleasing.
Watercolor on 120lbs paper 9x12
This is the first painting with my modified cotman set. I finally, after much internal debating, swapped out some of the pan colors that came with set (that I do not use) for other student grade paints. I say student grade because I have made the leap (finally) to more expensive artist grade watercolor paints. They should arrive in a week. I will use them both in the studio and as my new, customizable travel Pocket Palette. I can hardly wait.
There is a special kind of light in the waning days of the summer that tantalizes us with whispers of longer days now past. It can make us pause as the light captures our attention and freezes a sleepy image in our mind. And there is something about farms and rolling hills that I associate with this summer light.
Watercolor on 140lbs paper 9x12
The trip was busy, as work trips often are, so I was only able to get one sketch done during my trip to Amsterdam. Sitting just out front the little boutique-y hotel on Eerste Constantijn Hugyensstraat (say that five times fast to your favorite Dutch cab driver and just wait for the blank look. . .then show him the address on your phone), I was able to capture the shops across the street. My intent was to also draw the little park just to the left of these buildings. Alas, there was not time.
Architectural drawings are not my strong suit and I did some touch ups later that night after dinner to provide more contrast. Not bad over all, and it was just fun to sit and draw in the same city as Van Gogh.
Watercolor and ink on paper 5.5x8.25
It was a perfect day; 81 degrees F with no humidity. We packed a lunch, went for a long bike ride and picnicked in a flower garden. There are several flower gardens in Colonial Park and we chose an often forgotten side garden. And while my better half read (aka napped in the sun), I did two small paintings. I bought three small travel books a while back, I took one to Colorado but decided to try a new one for today (because nothing is more fun than using new art supplies).
These paintings also mark the beginning of me customizing my half pan set. I swapped out a little used brown for Payne's Grey. I have been wanting to incorporate more darks into my travel paintings.
Watercolor and ink on paper 5.5x5.5
Watercolor and ink on paper 5.5x5.5
This one had to wait before I posted it since I included in a work PowerPoint presentation. It is a cartoon of my boss' boss (who used to be my boss) and his favorite summative statement is ". . .at the end of the day." So much so that it has become a running joke between us (not that I made him paranoid about overusing it or nothing, I would never do that).
Watercolor on 140lbs paper
This also gave me an opportunity to do some good ol' fashion cartooning. Back in the day, I used to do this all the time for class presentations and in the margins of my class notebooks. Good stuff.
Sometimes you have to be prepared to ruin perfectly good paper. It allows for greater freedom. And while I did not exactly ruin this one, I am not sure if I hit the mark with it either. Still, I am quite happy with some of the layered washes and will put this one in the "win" column.
Watercolor on 140lbs paper 9x12
The old wheel barrel sits in our side yard next to our neighbors' arbor vitae. In certain light, it reminds me of an old country side in Europe. I decided that the other houses from the development did not need to be included in this sketch. Combined with the shed and the butterfly bush, I have now painting all of the most interesting elements of our yard.
Watercolor on paper 10x7
This painting also marks the 12th and final sketch/painting in the pad I bought almost one year ago. As I have mentioned before, I have never filled every page of a sketch book, pad or journal and therefore I challenged myself to do complete one in a year time. I think I have 3 days to spare. It is also the 29th painting of the year, making 2013 my most product of this blog. Very cool.
What was also fun about painting today was my niece joined me and she did two drawings of her own. I think she was excited about using the same watercolor pan set as me.
We have tried to kill our butterfly bush. Several times. . .but never on purpose. We have hacked away the dead branches until it was back to a nub and thought, "yeah, this time we killed it for sure." And it always springs back and goes all crazy like a bad perm on a humid day. It is as resilient as Rasputin.
Watercolor on paper 10x7
The butterfly bush is the center of our backyard and since we have planted a "squirrel proof" bird feeder, it is the center of all bird activity. I enjoy watching the cardinals, chickadees, finches and morning doves as they feed throughout the day. They are a nice respite during a hectic work day.
This is 11th drawing in the oft mentioned pad bought in Chicago. I had considered this subject for the 12th and final drawing. However, for what ever reason this, this image has been front and foremost in my brain for awhile, demanding my attention. It was almost as if this painting needed to escape my psyche.
It is also my 28th drawing of the year, tying it with 2005 as my most productive year.
This has sat on my drawing board for a week and I thought it was time to post it. I have been waffling back and forth about whether to lay some watercolor down on this. I think it might be cool to add a hazy watercolor wash to the background to counterpoint the white and grey of the ram. Still not sure. Since I may yet painting it, I left the pencil under drawing un-erased. Leave a comment and tell me your preference.
Pen and ink on 140lbs paper 9x12
The Dall sheep, Ovis dalli, is a species of sheep native to northwestern North America. I flirted with the idea of mislabeling him "goat" because that seems to elicit comments.
This drawing is from a photo taken in Denali national park, Alaska like this painting of Mt McKinley. Alas, I have never been there but hope to one day.
Today was our town's 100th anniversary and it started it off with a big (relatively speaking) parade. Luckily, with the early start it was only in the mid 80's (it would hit the upper 90's later in the afternoon). While waiting for the parade to begin I decided to paint the people setting up their chairs and umbrellas.
Watercolor on paper 9x7
This is the 10th painting in the pad I bought last August in Chicago. I gave myself a year to fill its 12 pages with paintings and complete a book for the first time in decades. I have a month and a half to get it done.
Why an exclamation point? Why not? Besides, turtles are cool.
Pen & Ink, Watercolor on 100lbs Bristol 11x14
If I am anything, I consider myself an illustrator, or in the 'Jersey vernacular. . .a drawer (pronounced draw-RER). Drawing or sketching is how I got started in all this and it is always my first love. I may never master watercolors as fine art, but I do love the way the augment my illustrations.
Pen & Ink
Whilst on vacation, I set a a personal goal to do one sketch each day. As it turns out, I successfully carried my travel sketch kit with me on each of the 6 hikes we did on Colorado. Here they are.
On our first day in Colorado we attended the Renaissance Fair in Larkspur. The Fair was similar to the one in Tuxedo New York that we usually attend but the end battle/joust was much shorter. I quickly drew this while sitting on the lawn waiting for the main even joust to start. There was no preliminary melee and so I missed the entire joust while sketching.
Waiting for the Joust
Watercolor and ink on paper 5.5x8.25
The hike to the top of Mount Herman was a little over a mile in distance (we stared toward the top) but took us from ~7700 ft in elevation to 9100 ft. Between the elevation and the steep climb, I was hurting a bit after this one. And this was not the toughest hike. Literally two minutes after I finished this, and while I was still packing up, rain clouds swooped in and obscured the view of these mountains.
The View from Mount Herman
Watercolor and ink on paper 5.5x8.25
The Garden of the Gods was by the far the easiest of the hikes and perhaps the most inspiring. We took tons of photos that may one day find themselves the subjects of their own paintings. I painted this sitting on the sunbathed observation deck of the visitor's center and may be my favorite sketch of the trip. Cathedral Rock, or Grey Rock, is one of the first rock formation you see when entering the park.
Cathedral Rock, Garden of the Gods
Watercolor and ink on paper 5.5x8.25
I rushed this one a bit and it shows but the biting flies were. . .well. . .biting. I do like how the water preceding the little waterfalls came out. That said, everything about Estes Park was just amazing and beautiful. I think my next vacation to Colorado needs to include many more days exploring this park (and hopefully next time I will get to see an Elk in the road).
The Pool at the Big Thompson River
Watercolor and ink on paper 5.5x8.25
Horsetooth Mountain was supposed to be a "moderately" difficult hike. Yeah, right. We called it 10k the hard way (3.1 miles to the top) and this one kicked my @$$! This hike included rock hewn stairs, scrambling and steep grades. . .but man, was the view worth it. I chose to paint the western view instead of the eastern view that included the city of Ft Collins. I just did not want to paint any buildings on this trip.
Western View from the top of Horsetooth Mountain
Watercolor and ink on paper 5.5x8.25
The final hike and sketch was from Seven Falls, a truly beautiful sight of seven cascading waterfalls. Instead of painting the falls themselves, I instead chose to paint the view from Inspiration Point. This sight is the final resting place of Helen Hunt Jackson and was the inspiration for her novel Ramona.
Inspiration Point, Seven Falls
Watercolor and ink on paper 5.5x8.25
The rare landscape painting done in portrait mode. I felt the height of the sky was the most important design element and so I flipped the paper thusly. A friend sent me the view from her backyard and I felt inspired to paint it. The sky in the photo had more pinks than purples, but purple was where my mind was at. I also omitted the palm trees on the side of the painting. I thought about going all Bob Ross and doing a dark tree up the left side, but I just could not. I think it would have distracted from the sky.
Watercolor on 200lbs paper 14x10
